Untitled...? 1/1
Genre: Erm... it was meant to be angst?
Pairing: P/C
Rating: PG, probably.
Note: I wrote this ages ago. I can't remember what actually possessed me to write it now, but I do recall I was fairly drunk when I wrote the second half. Oops. So, it might be a bit rubbish. Or a lot rubbish. The whole way through. I don't know. I read through it and altered bits and did a spell check, but other than that it's un-beta-ed. Also, I know it sounds highly... pretentious? And taking itself to seriously and stuff. I used parts of this for my coursework (oh! the shame) and my teacher really loved pretentious, over-serious stuff. I am a shameless kiss-ass.
Unfortunately, I don't own Pete'n'Carl, and this is purely a work of fiction, and never happened. Recognisable quotations are not mine either, obviously.
And this is my first step into Libs!fic, so please be nice. I'm ust going to grit my teeth and post it, although I'm quaking in my winklepickers as we speak. Had overly shit day so make me feel better! :P Con-crit would be lovely as well.
( The air hung heavy and humid over the waters of Camden Lock. )
Carl is due in Albert Square in March following the conclusion of 'Fool For Love' at the Riverside Studios in Hammersmith.
Carl will be playing the part of John Beale, the brother of Ian Beale, who arrives in the Square out of the blue claiming to be returning home after being an evacuee from World War 2.
There's sure to be twists and turns in the plot, more than likely resulting in somebody dying, the inevitible court case with somebody most likely going to prison for a short time and then being released after that and the storyline then continuing as if nothing happened in the first place! Cor blimey guv'nor, best get up the apples and pairs me old china!

http://www.nme.com/news/babyshambles/48
Babyshambles have outlined their plan to release a new album in 2010.
The band, speaking in the new issue of NME out today (November 2), said they had around 18 songs in contention for their third album, although it was still in its early stages and they have yet to book studio time or recruit a producer.
Pete Doherty said that guitarist Mik Whitnall had been working on demos in London for the foundations of the album.
"Mik spent a year on eBay buying shitloads of equipment," he explained. "He's written loads of amazing music which mostly just needs lyrics. So, one by one, they're getting turned into songs."
He added that older songs including 'Stone Me What A Life', 'Cuckoo 1440', '352 Days' and 'Tinker's Daughter' may make the album, plus 'Fixing Up To Go', 'Bonjour Trieste' and 'After He'.
Speaking of the latter song, Doherty explained: "Musically it's the perfect – I won't say rip-off – but combination of classic ska and the riff from [The Smiths' 'This Charming Man'."
For the full interview with Babyshambles see the cover feature of the new issue of NME, out now.
The NME also has a photo gallery up, "The Wisdom of Pete Doherty," with quotes from Peter.
All I have to say is they'd better not ruin "Cuckoo 1440," because I adore that song. Also, why would they put "Stone Me" on the album? It's already been released twice - as a B side and on the LMHR CD.
Title: Birthday Present
Author:
Genre: Soulmatedom
Rating: NC-17
Short summary/tagline: Set on Carl's birthday a few years back, though I'm not sure how many.
Complete? Y
Link: http://community.livejournal.com/albion
Carl Barat has revealed he has always had the desire to act.
The former Libertines star, who is set to make his stage debut in January, has said that acting is something he has wanted to do for a long time.
"I have always wanted to act," Barat said in a statement. "So when Sadie [Frost] and [artistic director] Neil [Sheppeck] offered me this I was very much up for it."
He added: "It's certainly one hell of a challenge, but I'm really enjoying the process of collaboration. I have loved the fact that, as a performer, I have been given the rare opportunity to be an integral part of the company's creative process."
Barat is staring alongside actress Sadie Frost in the play 'Fool For Love' at Riverside Studios in Hammersmith.
Beginning on January 25, the production will run till March 21, with a post-show talk taking place on January 29.
For more information and to book tickets visit RiversideStudios.co.uk.
Wednesday 20: DUBLIN, The Academy
Thursday 21: GALWAY, Heineken Green Spheres show at Roisin Dubh
Friday 22: BELFAST, Mandela Hall
Pete Doherty has apologised for singing a Nazi-endorsed version of the German national anthem during a gig in Munich on Saturday (November 28).
Doherty's performance at they city's On3 Festival was reportedly cut short when he began singing a right-wing version of the German national anthem 'Das Deutschlandlied' that has been prohibited since the end of the Second World War.
Doherty's spokesperson told Sky News that the singer had sung the song in error and did not mean to cause offense.
"[He] wanted to celebrate his appearance in Munich by assimilating and integrating with the crowd, something he tries do wherever he goes," she explained.
The song Doherty relayed during his performance begins, "Deutschland, Deutschland über alles" ("Germany, Germany above all, above all in the world"), and was the sole verse of the anthem sung in the Nazi era. Since the end of the Second World War it has been considered offensive and not included in Germany's national anthem.
"He was unaware of the controversy surrounding the German national anthem and he deeply apologises if he has caused any offense," the singer's spokesperson continued.
"Peter himself is from Jewish descent and has fought against racism and fascism with numerous organisations including Love Music Hate Racism," she added. "This is a subject he feels very strongly about."
After singing the anthem Doherty continued his set for another five songs before festival organisers asked him to stop playing. A radio station, Bayerischer Rundfunk, which was broadcasting the show live, cut short its transmission shortly after Doherty had started the song.
( The Grain )
The first single I bought …
Jive Bunny and the Mastermixers: That's What I Like (1989)
Growing up in an army barracks I remember hearing a lot of army-related songs, mostly about Hitler's genitalia or lack of, the QM's stores and one perennial favourite, that went something along the lines of "left, right, left, right, left" , which I could hear belting out from the parade square even as I put on the turntable my first ever single purchase – Jive Bunny and The Master Mixers, 'Thats What I Like'. Hell seeing days. For me this song was the soundtrack of your second to last enclaves of upwardly mobile underclass muttering disciplined, salute-signalled obedience to the very last enclaves of bona fide [t]officer class 'Ooray 'Enries.
( More, punctuated with pictures, just 'cause )
#53
The Libertines - 'Up The Bracket'
The title track of The Libertines' debut album, released as a single in 2002, making 29 in the UK chart. Apparently, it's about "the folly of youth".
#33
The Libertines - 'Time For Heroes'
Taken from the Libertines' debut album "Up The Bracket", written by Pete Doherty about the May Day riots of 2001. Doherty's band Babyshambles still play it occasionally.
#18
The Libertines - 'Can’t Stand Me Now'
Doherty and Barat's biggest hit, making number 2 in the summer of 2004. Sadly, the song chronicles the breakdown in the two songwriters' relationship, which led to the Libertines' split months later.
#11
The Libertines - 'Don't Look Back Into The Sun'
Based around the songwriting duo of Carl Barat and Pete Doherty, the Libertines released this stand alone single in the summer of 2003.
and #1 The *fucking* Killers – 'Mr Brightside' :/

Incidentally, a guy wrote to .org saying he spoke to Carlos on Friday night "Had a lovely chat with carlos tonight. He sends his best, the solo album is going well and he said he's gonna post tomorrow, he's changed login since spankotheclown though" (anyway I don't think Carl has never been on .org under the spanko nick, I know he was albionsolutions instead).
Preview:
Dirty pretty things: singer Carl Barat's old band, the libertines, was the embodiment of a rock 'n' roll car crash. Don't think his new band, dirty pretty things, is going to be any less of a spectacle. Christopher Bailey catches a glimpse.
September 01, 2006 | Bailey, Christopher
Anyone who thinks that all the anarchic spirit has been bled out of rock music today need look no further than the British band Dirty Pretty Things for proof that it's not only alive, but kicking up a storm. Led by Carl Barat, former front man for the Libertines, the group is an affirmative lesson in the fine art of operating with reckless abandon. Their songs are decidedly risky propositions: moody, melodic, punked-up, and propulsive three-minute numbers that seem to push even their own boundaries, coming together just as they sound like they're about to fall apart. And while Barat's former bandmate, Pete Doherty, used to make headlines for missing shows, Dirty Pretty Things have begun to make them for what happens when they turn up. The band is riding high with the electric buzz of a couple of sold-out tours behind a debut album, Waterloo to Anywhere (Interscope), which has already become a massive hit in the U.K. (The record was recently released stateside.) Here, fashion designer Christopher Bailey, creative director for Burberry, caught up with Barat as he was traveling in Europe for a series of gigs.
[Interview editorial assistant Julia Kelly connects the phone call.]
INTERVIEW: Hello, Christopher?
CHRISTOPHER BAILEY: Yeah, hi.
INTERVIEW: We've got Carl Barat on the line for you.
BAILEY: Great.
INTERVIEW: [the two are connected] Carl, are you there?
Edit: Thanks to
he was really really wrecked, threw up on stage once or twice and apparently got thrown out of several poolhalls during the day, he played a great gig but fucked up on alot of solos, could've been better if he was slightly less drunk
